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OpArt of The Cleveland School

Op Art of the Cleveland School, a dazzling exhibition of important works from the Op Art movement. Drawing heavily upon contribu- tions by the Bauhaus to the study of color theory—as well as advancements within the field of psychology relating to human perception—Op (short for ‘optical’) Art is characterized by hard edged, geometric abstraction, intended to produce visual effects (often described as ‘sparkling’ or ‘pulsating’) within the viewer. Featuring works by Cleveland School luminaries Richard Anuszkiewicz, Julian Stanczak, and Edwin Mieczkowski, this sensational exhibition is a testament to Cleveland’s crucial role in the development and expansion of the Op Art movement.

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Abstract Oil on Masonite Painting:

Julian Stanczak (American, 1928–2017) Untitled, 1955

Red is a Red by Julian Stanczak

Julian Stanczak (American, 1928–2017) Red is a Red, 1969

Untitled by Richard Anuszkiewicz

Richard Anuszkiewicz (American, 1930–2020) Untitled, 1971

Abstract Lithograph on Stainless Steel Foil Print:

Julian Stanczak (American, 1928–2017) Superimposed in Light, 1973

Ship Without Port of Destination by Julian Stanczak

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Julian Stanczak (American, 1928–2017) Ship Without Port of Destination

The Burning Glass  by Richard Anuszkiewicz

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Richard Anuszkiewicz (American, 1930–2020) The Burning Glass , 1961

The Big A by Edwin Mieczkowski

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Edwin Mieczkowski (American, 1929–2017) The Big A, 1964

Abstract Acrylic on Board Painting:

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Edwin Mieczkowski (American, 1929–2017) Diptych (“ISO-SINISTRAD” “ISO-DEXTRAD”"), ca. 1965

Abstract Color Screenprint Print:

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Richard Anuszkiewicz (American, 1930–2020) Diamond Chroma Screenprint, 1965

Diamond Chroma by Richard Anuszkiewicz

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Richard Anuszkiewicz (American, 1930–2020) Diamond Chroma, 1965

Abstract Lithographic Assemblage Print:

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Richard Anuszkiewicz (American, 1930–2020) Grey Tinted Rainbow, 1992

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